Thursday,  Feb. 27, 2014 • Vol. 16--No. 226 • 32 of 35

(Continued from page 31)

• How to give a super-thin smartphone the power of a DSLR camera that can capture moving images with clarity is a key challenge for the likes of Samsung, Sony, Nokia and LG as they try to differentiate their offerings in a crowded handset market. Their efforts to make smartphone cameras more powerful have taken a toll on the compact, point-and-shoot camera market, but catching up to the high-end cameras used by professional photographers had appeared a far-fetched ambition.
• The gap is getting narrower thanks mainly to improvements in camera software and other technologies, but may never close completely.
• The global wireless show that wraps up in Barcelona on Thursday showed smartphone makers using software trickery to offset their camera weaknesses: inferior image sensors and lack of optical zoom lens. The companies are also making photo manipulation on the phone easier to learn than manually controlling DSLR cameras.
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Cambodian filmmaker's haunted memories and search for catharsis lead him to the Oscars

• PHNOM PENH, Cambodia (AP) -- The office of Cambodia's most celebrated filmmaker is filled with books on the Khmer Rouge. On his desk, on the walls, in the filing cabinets and in every corner of Rithy Panh's dimly lit office are memories of his country's greatest tragedy.
• Probing the painful past started as a coping mechanism for Panh and evolved into a career. For the past two and a half decades, Panh has made movies that he considers his duty as a survivor, and his debt to the dead.
• His latest, "The Missing Picture," is the first time he has focused on his own story of loss and tormented survival. It's also the first Cambodian film to be nominated for an Academy Award, and could win Best Foreign Language Film at the Oscars this weekend.
• The 51-year-old filmmaker said he makes movies because "I had to find a way to work with my memories."
• "When you survive a genocide, it's like you've been radiated by a nuclear bomb," Panh said during an interview at his Phnom Penh office, which is inside a film preservation center that he runs. "It's like you've been killed once already, and you come back with death inside of you."
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