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Forget the small screen: Cinema's colorful wildlife on view at Cannes Film Festival
• CANNES, France (AP) -- "Look at these people, this wildlife." • As the partying journalist of Paolo Sorrentino's "The Great Beauty," Toni Servillo was surveying Rome's colorful nightlife, but he might as well have been contemplating the Cannes Film Festival. The 66th edition of the Cote d'Azur extravaganza drew to a close Sunday, awarding the sensual, heartbreaking lesbian romance "Blue is the Warmest Color: The Life of Adele" the festival's top honor, the Palme d'Or. • The Cannes Film Festivale is a 12-day circus of perpetual red-carpet flashbulbs, beachside soirees and, yes, a feast of some of the finest, wildest movies the world has to offer. The most exotic creatures weren't the high-heeled ones parading the Croisette, they were the ones gracing Cannes' pristine movie screens. • This year, the festival was a particularly captivating coterie of rare birds. There was Tilda Swinton as a white-haired, centuries-old vampire (Jim Jarmusch's "Only Lovers Left Alive"); Joaquin Phoenix as a 1920s pimp, sticking out his jaw like Marlon Brando (James Gray's "The Immigrant"); a sequin-covered Michael Douglas as Liberace (Steven Soderbergh's "Behind the Candelabra"); a battered and bloodied, (Continued on page 29)
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